HMF·4月26日電子節(jié)目單 | 《羅密歐與朱麗葉》芭蕾電影

時隔半個多世紀(jì)，這部經(jīng)典的芭蕾舞劇再度由英國皇家芭蕾舞團的首席舞者們演繹，在電影的熒幕上綻放異彩：芭蕾舞首次脫離了舞臺，走進現(xiàn)實的場景，再通過電影傳達給觀眾。舞姿優(yōu)美靈動，敘事節(jié)奏更加緊湊，現(xiàn)實場景擴充舞臺布景，道具的真實質(zhì)感更增添視覺感染力。電影版芭蕾舞劇《羅密歐與朱麗葉》一上映就收獲了諸多贊譽。

在這次電影交響音樂會上，觀眾將在欣賞屏幕上電影的同時聆聽景煥指揮的廣州交響樂團現(xiàn)場演奏，聽到影院設(shè)備無法傳達的音樂細節(jié)，欣賞傳統(tǒng)舞臺難以呈現(xiàn)的精妙舞姿，從視覺和聽覺全方位感受《羅密歐與朱麗葉》這部永恒的愛情經(jīng)典。

景煥現(xiàn)任廣州交響樂團常任指揮，兼任廣州青年交響樂團音樂總監(jiān)，中國音樂家協(xié)會理事，國際青年音樂聯(lián)盟執(zhí)行委員。2022年8月，參加由中共中央宣傳部、中國文學(xué)藝術(shù)界聯(lián)合會和中國音樂家協(xié)會共同主辦的“藝苑擷英”——2022年全國優(yōu)秀青年藝術(shù)（指揮）人才展演，并入選“中國十大青年指揮家”。

景煥畢業(yè)于中央音樂學(xué)院指揮系，師從著名指揮家、音樂教育家徐新教授。2009年師從美國指揮家馬克·吉布森，以優(yōu)異成績?nèi)〉妹绹列聊翘岽髮W(xué)音樂學(xué)院指揮碩士學(xué)位，并獲得全額獎學(xué)金繼續(xù)攻讀該校博士學(xué)位。曾任美國辛辛那提交響樂團和五月音樂節(jié)樂團指揮助理，同時兼任辛辛那提青年管弦樂團助理指揮以及阿塔利亞室內(nèi)樂團首席客座指揮。

2012年6月，景煥在中國青島舉行的第一屆李德倫全國指揮比賽中成為兩位獲獎?wù)咧?。同年，赴巴西圣保羅參加若丹山莊國際音樂節(jié)，她的卓越表現(xiàn)獲得了著名女指揮馬琳·阿爾索普的賞識并邀請其參加享譽全美的卡布里羅音樂節(jié)，同時擔(dān)任圣保羅國家交響樂團2013樂季助理指揮。2013年，景煥在辛辛那提交響樂團工作時，受到著名指揮家余隆先生的關(guān)注和大力提攜，隨后回國任職于廣州交響樂團。

2013年12月以廣州交響樂團駐團指揮的身份首次亮相樂季音樂會，即與小提琴大師馬克西姆·文格洛夫一起精彩演繹柴科夫斯基《D大調(diào)小提琴協(xié)奏曲》，自此陸續(xù)受到中國愛樂樂團、上海交響樂團、深圳交響樂團、杭州愛樂樂團、貴陽交響樂團、寧波交響樂團、西安交響樂團、青島交響樂團、四川交響樂團、陜西交響樂團、新疆交響樂團、昆明聶耳交響樂團、沈陽交響樂團、澳門樂團、澳門中樂團、天津茱莉亞交響樂團的邀請，執(zhí)棒樂季音樂會，備受贊譽。曾與馬友友、郎朗、魯?shù)婪颉げ己召e德、瓦季姆·列賓、吉爾·沙漢姆、宓多里、羅伯特·布洛克爾、諾亞·迪克斯-巴格雷、王健、呂思清、秦立巍、張昊辰、陳薩、莫華倫、廖昌永、梁寧、黃英等成功合作演出音樂會。

2014年景煥出任廣州青年交響樂團音樂總監(jiān)，在她的潛心訓(xùn)練下樂團取得長足進步，名聲鵲起。2015年8月率廣州青年交響樂團參加在德國柏林舉辦的“歐洲青年古典音樂節(jié)”演出獲得巨大成功，甚獲好評。鑒于她執(zhí)掌的廣州青年交響樂團成績斐然，2016年7月，景煥在意大利貝加莫高票當(dāng)選為國際青年音樂聯(lián)盟執(zhí)行委員。

2016年10月應(yīng)邀赴北京參加第十九屆“北京國際音樂節(jié)”，指揮“紀(jì)念莎士比亞逝世四百周年”音樂會演出。2017年1月在第一屆廣東國際青年音樂周藝術(shù)委員會任秘書長，并指揮開幕式演出，獲得藝術(shù)委員會主席余隆、藝術(shù)總監(jiān)馬友友、音樂周專家團隊和觀眾的一致好評。2017年5月與廣州交響樂團赴意大利和英國巡回演出。2017年8月率廣州青年交響樂團赴澳大利亞悉尼、印度尼西亞雅加達和新加坡進行友好城市文化交流演出。2018年7月底，景煥率廣州青年交響樂團出訪歐洲，分別在法國里昂、捷克布拉格和意大利的加爾達湖音樂節(jié)舉行音樂會。2019年7月，景煥再度率廣州青年交響樂團出訪，在日本東京三得利音樂廳舉行音樂會，并在福岡交響樂大廳為廣州與福岡結(jié)為友好城市40周年進行文化交流演出。

JING HUAN

Jing Huan currently serves as Principal Conductor of the Guangzhou Symphony Orchestra and Music Director of the Guangzhou Symphony Youth Orchestra. She also serves on the boards of the China Musicians Association and Jeunesses Musicales International (JMI). In August 2022, she participated in the 2022 National Outstanding Young Artists (Conductors) Showcase organized by the Publicity Department of the Communist Party of China, China Federation of Literary and Art Circles and the China Musicians Association. On that occasion, she was selected among the “Top Ten Young Conductors of China.”

A graduate of Beijing’s Central Conservatory of Music who received her training with Professor Xu Xin, she obtained her Master’s Degree in Orchestral Conducting in 2009 at the University of Cincinnati College-Conservatory of Music (CCM) under the tutelage of Mark Gibson, where she was awarded a full scholarship to continue her doctoral studies, concurrently serving as the Conductor Assistant of the Cincinnati Symphony Orchestra (CSO), including the CSO’s May Festival (2011–2013). During the same period, she was also Assistant Conductor of the Cincinnati Symphony Youth Orchestra and Principal Guest Conductor of the Artaria Chamber Orchestra.

In June 2012, Jing Huan was one of two prizewinners at the inaugural Li Delun National Conducting Competition held in Qingdao, China. In the same year, she participated in the Campos do Jordo International Festival in So Paulo, where her outstanding performance led to an invitation by Maestra Marin Alsop to serve as Assistant Conductor of the So Paulo State Symphony’s 2013 music season. That same year, Jing Huan and her work with the Cincinnati Symphony Orchestra attracted the attention of Maestro Long Yu, which led to her appointment at the GSO.

In December 2013, Jing Huan made her critically-acclaimed debut concert as the Resident Conductor of the Guangzhou Symphony Orchestra, leading soloist Maxim Vengerov in Tchaikovsky’s Violin Concerto. Since then, she has received invitations and collaborated with such orchestras as the China Philharmonic, Shanghai Symphony, Shenzhen Symphony, Hangzhou Philharmonic, Guiyang Symphony, Ningbo Symphony, Xi’an Symphony, Qingdao Symphony, Sichuan Symphony, Shaanxi Symphony, Xinjiang Symphony, Kunming Nie Er Symphony, Shenyang Symphony, Macao Orchestra,Macao Chinese Orchestra and Tianjin Julliard Symphony during their music seasons, garnering much praise. She has collaborated with such renowned soloists as Yo-Yo Ma, Lang Lang, Rudolf Buchbinder, Vadim Repin, Gil Shaham, Midori, Robert Blocker, Noah Bendix-Balgley, Jian Wang, Lü Siqing, Li-Wei Qin, Zhang Haochen, Chen Sa, Warren Mok, Liao Changyong, Liang Ning and Huang Ying.

In 2014, Jing Huan was appointed as Music Director of the Guangzhou Symphony Youth Orchestra (GSYO). Under her leadership, the orchestra charted remarkable progress and made their first tour to Europe, appearing at the Berlin Philharmonie under the auspices of Young Euro Classic in August 2015. Jing Huan’s achievements at the helm of the GSYO attracted the attention of Jeunesses Musicales International, and she was elected to serve on JMI’s Board in July 2016.

In October 2016, Jing Huan presented a concert entitled “In Love with Shakespeare” at the Beijing Music Festival to commemorate the 400th anniversary of Shakespeare’s death. In January 2017, she was appointed Secretary-General of the Artistic Committee of Youth Music Culture Guangdong (YMCG) and conducted its critically-acclaimed opening concert. In May 2017, Jing Huan conducted the Guangzhou Symphony Orchestra on their European tour to Italy and the United Kingdom. Three months later, she led the GSYO on their Asia tour to Sydney, Jakarta and Singapore for cultural exchange. In late July 2018, she returned with the GSYO to Europe, performing in Lyon (France), Prague (Czech Republic) and the Musica Riva Festival, Lago di Garda (Italy). In July 2019, she led the GSYO on tour to Japan, performing at Tokyo’s Suntory Hall and the Fukuoka Symphony Hall, the latter as part of a cultural exchange commemorating the 40th anniversary of the sistercity relationship between Guangzhou and Fukuoka.

音樂總監(jiān)：余隆

廣州交響樂團創(chuàng)建于1957年，是中國目前最具藝術(shù)水準(zhǔn)和藝術(shù)活力的大型交響樂團之一。作為迄今為止唯一在世界五大洲留下“音樂足跡”的中國樂團，是國內(nèi)外業(yè)界和媒體眼中“中國最具聲望的樂團之一”（《中國日報》）和“連接中國音樂傳統(tǒng)與創(chuàng)新的節(jié)點”（英國《金融時報》）。

現(xiàn)任音樂總監(jiān)余隆是中國音協(xié)交響樂團聯(lián)盟主席，他是活躍于國際樂壇的最杰出的中國指揮家，被《紐約時報》譽為“中國音樂版圖上最有影響力的人物”。余隆于2003年5月起擔(dān)任廣交音樂總監(jiān)，而他與廣交的首次合作則要追溯至1994年11月，在超過四分之一世紀(jì)的歲月中雙方始終合作無間。余隆目前還擔(dān)任北京國際音樂節(jié)藝術(shù)委員會主席和中國愛樂樂團藝術(shù)總監(jiān)，上海交響樂團音樂總監(jiān)和上海夏季音樂節(jié)的聯(lián)合總監(jiān)，以及香港管弦樂團首席客席指揮。

廣州交響樂團是中國最早實行音樂季模式運作的職業(yè)樂團之一，2022/2023音樂季是樂團的第26個音樂季。1997年7月實行的體制改革是樂團發(fā)展歷程中的重大里程碑。從1998年5月開始推行音樂季，10月應(yīng)邀在第一屆北京國際音樂節(jié)演出普契尼的歌劇《波希米亞人》，好評如潮，被譽為音樂節(jié)中一顆“引人注目的明星”，北京媒體評論：“‘廣交’迅速崛起于中國南方，進入了主流樂團的行列，是中國樂壇中一件可喜可賀的事?！贝撕筮B續(xù)數(shù)年獲邀參加北京國際音樂節(jié)的演出。

樂團與國內(nèi)外眾多著名音樂家保持著長期和良好的合作關(guān)系，并建立了廣泛緊密的國際性合作網(wǎng)絡(luò)。在過往的音樂季中不斷邀請來自國內(nèi)和世界各地的指揮家、獨奏家及歌唱家聯(lián)袂演出，演出曲目范圍涵蓋了巴洛克時期至現(xiàn)代派的作品，樂團的藝術(shù)水平得以迅速提升，聲譽鵲起。國際著名的音樂大師潘德列斯基甚至稱贊：“這是我聽到的中國樂團最好的聲音”。2004年起，海外知名的藝術(shù)經(jīng)紀(jì)公司開始代理樂團的國際巡演與大型文化活動，樂團的藝術(shù)水準(zhǔn)由此獲得國際業(yè)界更為廣泛的權(quán)威認同。

從2000年開始，樂團多次受文化部和廣東省派遣，出訪奧地利、德國、英國、法國、荷蘭、盧森堡、埃及、澳大利亞、新西蘭、美國、比利時、意大利、瑞士、列支敦士登、日本、韓國、泰國和新加坡等國家。在維也納金色大廳、巴黎香榭麗舍劇院、阿姆斯特丹皇家音樂廳、開羅國家歌劇院、悉尼歌劇院、紐約卡內(nèi)基音樂廳、波士頓交響音樂廳、華盛頓肯尼迪藝術(shù)中心、柏林音樂廳、威尼斯鳳凰歌劇院、佛羅倫薩威爾第歌劇院、瑞士盧塞恩文化會議中心音樂廳（KKL）、東京歌劇城音樂廳、新加坡濱海藝術(shù)中心音樂廳、蘇黎世音樂大廳、日內(nèi)瓦維多利亞音樂廳、倫敦卡多岡音樂廳、曼徹斯特布里奇沃特音樂廳和伯明翰交響音樂廳等國際著名音樂廳及劇院登臺。2006年應(yīng)邀在卡塔爾首都多哈舉行的第15屆亞洲運動會開幕式和閉幕式上演奏。此外，還曾20多次參加香港藝術(shù)節(jié)、澳門藝術(shù)節(jié)和澳門國際音樂節(jié)的演出。2012年10月，赴臺灣參加“兩岸城市藝術(shù)節(jié)——廣東城市文化周”，在臺北兩廳院音樂廳和臺中中興堂舉行音樂會。2014年9月，在中國廣東省和澳大利亞新南威爾士州結(jié)成友好省州35周年之際，樂團出訪澳洲參加“廣東文化周”，在悉尼市政廳音樂廳和堪培拉盧埃林音樂廳舉行兩場音樂會。2015年1月，應(yīng)瑞士米格羅音樂演出系列邀請，在蘇黎世、日內(nèi)瓦、伯爾尼和圣加倫這四個瑞士名城巡演。2017年在中英建交45周年之際首次進入英國巡演，在倫敦、曼徹斯特和伯明翰這三個重要城市都舉行了音樂會，英國《衛(wèi)報》以“有極高修養(yǎng)的樂團”為題予以了報道和評論。2019年1月，樂團受邀參加首屆“坦托拉之冬”藝術(shù)節(jié)，成為首支在沙特阿拉伯舉行音樂會的中國樂團。隨后，樂團還舉行了史上第七次歐洲巡演。走過世界各地的“音樂足跡”印證了樂團作為“音樂使者”為傳播中國文化和促進粵、港、澳、臺等地文化交流所做出的努力和貢獻。

近年來樂團發(fā)展呈多元化。從2005年開始連續(xù)三年舉辦了由指揮大師夏爾·迪圖瓦擔(dān)任音樂總監(jiān)的“中國廣東國際音樂夏令營”，邀請了瑪莎·阿格里奇、加里·格拉夫曼、克勞斯·彼得·弗洛爾等多名音樂大師及20多位來自世界著名樂團的首席演奏家擔(dān)任導(dǎo)師，夏令營聲名遠播，亞洲各國學(xué)員紛至沓來。2010年11月藉第16屆亞運會在廣州舉辦之際，樂團同時舉辦了“廣東亞洲音樂節(jié)”，邀請了6個知名亞洲樂團及馬友友、郎朗、鄭明勛、譚盾、林昭亮、宓多里、王健、莎拉·張等17位國際著名的亞裔音樂家，演出陣容鼎盛，節(jié)目精彩紛呈。此外，樂團還與多個世界著名芭蕾舞團合作演出了十多部經(jīng)典芭蕾舞劇，制作及參與演出過多部音樂會版和舞臺版歌劇。委約包括潘德列斯基大師在內(nèi)的中外作曲名家為樂團創(chuàng)作新作品，促進中國交響樂的發(fā)展。在每個音樂季中均安排室內(nèi)樂、普及、通俗、戶外及節(jié)慶音樂會等演出。2011年12月，創(chuàng)建了中國首個由職業(yè)樂團培訓(xùn)及管理的青少年樂團——廣州交響樂團附屬青少年樂團（2016年8月更名為廣州青年交響樂團）。此外，每年定期舉辦，由廣交音樂總監(jiān)余隆擔(dān)任藝委會主席，邀請大提琴家馬友友先生擔(dān)任藝術(shù)總監(jiān)，至今已連續(xù)舉辦5年的 “廣東國際青年音樂周” ，在2017年1月首次舉辦時即被業(yè)界稱為“翻開中國交響樂嶄新的一頁”。這些舉措，無不顯示出樂團全方位發(fā)展的策略。

樂團于2009年遷入位于珠江江畔、二沙島上的新址，這個具有國際先進水平、現(xiàn)代化的新家無疑為樂團發(fā)展提供了更為優(yōu)越的條件和保障。在堅持自身特色的同時，樂團將繼往開來，與時俱進，努力為中國交響樂事業(yè)的發(fā)展進行有益的探索。

注：廣交第一個樂季于1998年5月開始，至次年3月結(jié)束，這種安排持續(xù)了5個樂季。第6個音樂季是樂團史上最特殊的音樂季，從2003年3月至8月結(jié)束，作為調(diào)整音樂季檔期安排的過渡樂季。從第7個音樂季起，廣交樂季從9月開始至翌年7月結(jié)束。

GUANGZHOU SYMPHONY ORCHESTRA

Long Yu, Music Director

Since its founding in 1957, the Guangzhou Symphony Orchestra (GSO) has developed into one of China’s most artistically superb and vibrant orchestral institutions. It is the first and only Chinese symphony orchestra to have toured and performed on five continents, receiving acclaim as “one of China’s most prestigious music ensembles” (China Daily) and “China’s nexus of musical tradition and innovation” (Financial Times of London).

Currently the Chairman of the China Musicians Association’s League of China Orchestras, GSO Music Director Long Yu is active on the international front, hailed by the New York Times as “the most powerful figure in China’s Western classical music scene.” Maestro Yu first conducted the GSO in November 1994, later taking the helm as Music Director in May 2003, maintaining a close collaboration for more than a quarter-century. He currently serves as Chairman of the Artistic Committee of the Beijing Music Festival, Artistic Director of the China Philharmonic Orchestra, Music Director of the Shanghai Symphony Orchestra, Co-Director of the MISA Shanghai Summer Festival and Principal Guest Conductor of the Hong Kong Philharmonic Orchestra.

The GSO is also one of the first orchestras in China to institute a professional concert season, and 2022/2023 marks its 26th season. In July 1997, the GSO marked an important milestone, having restructured its organization. Beginning in May 1998, the orchestra introduced its first full “music season.” In October 1998, the orchestra received rave reviews and was lauded as a “shining star” at the inaugural Beijing Music Festival for its performance in the opera La Bohème. “It is heartening to see the GSO’s meteoric rise as an artistic force in southern China, joining the ranks of other distinguished orchestras in the country’s mainstream,” one Beijing critic reported. For many years, the GSO returned to the BMF annually.

The GSO has sustained long-term relationships with numerous renowned musicians at home and abroad, establishing a wide international network among the world’s music circles. In past seasons, the GSO has regularly invited the most accomplished conductors, soloists and singers to collaborate in repertoire ranging from Baroque to modern, creating valuable training opportunities for the orchestra’s musicians to improve their craft and for the orchestra to garner recognition. “It was the best sound I ever heard from among Chinese orchestras,” the late Polish composer Krzysztof Penderecki once remarked after attending a GSO concert. In 2004, international artist agencies began to engage the GSO for international touring and large-scale cultural projects, bringing the orchestra and its reputation to even farther shores.

Beginning in 2000, the GSO was sent on numerous tours by the Ministry of Culture and the Guangdong Provincial Government, visiting Austria, Germany, the United Kingdom, France, the Netherlands, Luxembourg, Egypt, Australia, New Zealand, the United States of America, Belgium, Italy, Switzerland, Liechtenstein, Japan, South Korea, Thailand and Singapore, among others. The GSO has graced the stages of the Goldenensaal of Vienna’s Musikverein, the Thétre des Champs-lysées in Paris, Amsterdam’s Concertgebouw, the Cairo Opera House, the Sydney Opera House, New York’s Carnegie Hall, Boston’s Symphony Hall, Washington’s Kennedy Center, the Berlin Konzerthaus, Venice’s Teatro La Fenice, Florence’s Teatro Verdi, the Lucerne Culture and Convention Centre, Tokyo’s Opera City Concert Hall, Singapore’s Esplanade-Theatres on the Bay, the Tonhalle Zürich, Geneva’s Victoria Hall, London’s Cadogan Hall, Manchester’s Bridgewater Hall and the Birmingham Symphony Hall, among other world-famous venues. In 2006, the GSO was invited to perform in both the opening and closing ceremonies of the 15th Asian Games in Doha, Qatar. The orchestra has also appeared more than 20 times at the Hong Kong Arts Festival, Macao Arts Festival and Macao International Music Festival. In October 2012, the GSO made its Taiwan debut during the Guangdong City Cultural Week at the Cross-Straits City Arts Festival, with concerts in Taipei’s National Theater and Concert Hall and Taichung’s Chung Hsing Hall. In September 2014, on the occasion of the NSW-Guangdong Sister-State 35th Anniversary, the GSO performed two concerts in Sydney’s City Recital Hall, Angel Place, and Canberra’s Llewellyn Hall. In January 2015, at the invitation of Migros Kulturprozent Classics, the GSO made its fifth Europe tour, performing in Zurich, Geneva, Bern and St. Gallen. The GSO made its sixth European tour in 2017, visiting London, Manchester and Birmingham on the occasion of the 45th anniversary of the establishment of diplomatic relations between China and the United Kingdom, where it was headlined in The Guardian as a “highly accomplished band.” In January 2019, the GSO was invited to take part in the “Winter in Tantora” Festival, becoming the first Chinese orchestra to perform in Saudi Arabia. Later that month, the GSO embarked on its seventh European tour. The orchestra not only fulfills its role as cultural ambassador abroad, but also promotes meaningful exchange within the Pearl River Delta region and across the Taiwan Straits.

The GSO has also diversified its mission and programs in the past decade. Between 2005 and 2007, the orchestra organized the Canton International Summer Music Academy with Maestro Charles Dutoit as music director, inviting such distinguished artists as Martha Argerich, Gary Graffman and Claus Peter Flor as well as more than 20 principals from world-renowned orchestras as tutors, attracting young musicians from all over Asia. The GSO hosted the Canton Asian Music Festival, held at the Xinghai Concert Hall, in November 2010 on the occasion of the 16th Asian Games, featuring six renowned Asian orchestras and 17 distinguished Asian musicians including Yo-Yo Ma, Lang Lang, Myung-Whun Chung, Tan Dun, Cho-Liang Lin, Midori, Jian Wang and Sarah Chang. The GSO has also collaborated with the world’s leading ballet and opera companies, appearing both in the pit and the concert stage. The orchestra regularly commissions new works from prominent composers in China and abroad—including Krzysztof Penderecki—fostering China’s development in symphonic music. In addition, the GSO also presents chamber music, education, pops, outdoor and festival concerts every season. In December 2011, the GSO established its affiliate youth orchestra, later renamed the Guangzhou Symphony Youth Orchestra (August 2016), the first amateur youth orchestra administered by a professional orchestra in China. More recently, with GSO Music Director Long Yu leading its Artistic Committee and Yo-Yo Ma as Artistic Director, Youth Music Culture Guangdong (YMCG) was held annually for five years. At its inauguration in January 2017, the event immediately garnered acclaim for “opening a new page in the Chinese symphonic world.” All of these programs reflect the orchestra’s overall strategy in all-round development.

In 2009, the GSO moved its headquarters to Ersha Island along the Pearl River. This new facility, equipped with the most up-to-date technology, has provided the orchestra with superb amenities and the means to advance both artistically and institutionally. While adhering to its own heritage, the Guangzhou Symphony Orchestra continues to forge ahead, always keeping pace with the times, exploring constructive paths for the development in China’s symphonic world.

Note: The GSO launched its inaugural performance season in May 1998, each extending to the following March, which continued for five seasons. The sixth season was unique, lasting between March and August of 2003 as a transitional period to adjust its schedule. Beginning with the seventh season, the GSO season extended from September to the following July.

- 2023杭州國際音樂節(jié) -

來源：杭州大劇院